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albums08

Terry Walstrom reflects on The Me I Never Knew

These things are entirely subjective, naturally, but -- I've always had a very special place in my heart for Barry's melody to the Alice's Adventures tune to THE ME I NEVER KNEW in its instrumental form not to mention the Matt Monro vocal.

The construction of the thematic material has some unexpected turns which never fail to elicit a strong response from me. Normally in a song we would have the first line repeated in the second line identically or pivoted up an interval of a fourth. But, Barry -- the second time the phrase "The me I never knew" appears--works a bit of magic and injects a poignant twist to the direction of the theme. It goes up instead of down at an odd interval and--as if that were not enough--elevates the entire mood in a transcendent manner when the phrase "without a word of warning" occurs.

Now -- I'd like to call your attention to what is NORMAL in a song. You introduce a theme or melody line and repeat it. Then you bridge in something of contrast in the middle eight bars. Back to the same original theme with a change in it to top off the feeling of completeness. But -- in THE ME I NEVER KNEW there is no resting place and return until the ENTIRE first and second lines/bridge phrase have spun through to completion. Rather, a transformation process is applied throughout. The emotional core transmutes mood after mood climbing in intensity reframing the "feeling" in greater and greater tensions which cry out for some sort of release. "You smiled and I discovered..." on the word "discovered" a remarkable feeling of interior transformation rushes forward. The discovery is imbedded inside the melody itself. And a wonderful one it is too!

The orchestral version of this song is just a joy. The tension and release is masterful. The conflict is never overpowered by the instrumentation. It is kept personal yet significant. A grandness and nobility is present when the horns and the strings sing full out.

I simply wish there had been an alternate lyric written for this melody which would be more universal; allowing singers an avenue of expression less reflective and more declarative. Nobody sings about interior transformation it seems--unless they are holding a guitar!

The long and the short of it---this may be my favorite Barry melody. Dunno, there are so damned many!!

 

Terry Walstrom.

Read 32783 times Last modified on Tuesday, 24 February 2015 14:37
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Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

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John Barry related Events or Concerts


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A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


19 Nov 2017

   Canada   Thunder Bay Shaken Not Stirred – The Music of James Bond

*

James Bond Spectacular
December 1, 2017
Time: 19:30

Camberley Theatre,
Knoll Road,
Camberley,
Surrey, GU15 3SY,
GB

Website

The popular James Bond Concert Spectacular by Q The Music Show is coming to Camberley Theatre.

They will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. 

This show has been a huge success all around the World with its energetic and exciting performance by some of the UK’s leading musicians.
 
Featuring all the songs from the 007 movies...


 

Wiener Konzerthaus
Lothringerstraße 20, 1030 WIEN
(that's Vienna!)

Samstag 2 Dezember 2017
19:30 Uhr
Großer Saal

Sonntag 3 Dezember 2017
19:30 Uhr
Großer Saal

Dieses Galakonzert lässt 53 Jahre Bond-Movies live und auf großer Kinoleinwand Revue passieren. Von John Barrys «Goldfinger», «Thunderball» und «Diamonds Are Forever» über «Licence To Kill», «A View To A Kill» und «Goldeneye» bis hin zu «Skyfall» und dem Song des bislang letzten Bond-Streifens, «Writings On The Wall». Spezielle Arrangements für großes Symphonieorchester garantieren neben den Star-Interpreten einen unvergesslichen Abend.

Am 2. und 3. Dezember 2017 werden die legendären Songs und Scores aus den Bond-Movies von den Star-Interpreten Maya Hakvoort, Nazide Aylin und Sandra Pires im Wiener Konzerthaus präsentiert. Dabei werden sie von einem großen Symphonieorchester, ergänzt durch Top-Instrumentalsolisten für den speziellen Bond-Sound, begleitet, während die berühmten Filmszenen auf eine Leinwand projiziert werden. Die Arrangements stammen vom musikalischen Leiter der Galakonzerte, Alex Johansson. Als besonderes Highlight wird Stargast Conchita ihre Lieblings-Bondsongs interpretieren.


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts
Sun 25th Feb 18 (7.30pm)
Victoria Halls, Stoke-On-Trent
with Madeline Smith (Live & Let Die)
Details: www.QTheMusicShow.com/victoriahall


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts
Sun 11th Mar 18
The Woodville, Gravesend
with Madeline Smith (Live & Let Die)
Details: www.QTheMusicShow.com/thewoodville


 Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Sun 25th Mar 18 (6pm)
King's Theatre, Southsea, Portsmouth
with Madeline Smith (Live & Let Die)
Details: www.QTheMusicShow.com/kingstheatre


 Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Wed 4th Apr 18
Southport Theatre
with Caroline Munro (The Spy Who Loved Me)
Details: www.QTheMusicShow.com/southporttheatre


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Sun 8th Apr 18
Aylesbury Waterside Theatre
with Caroline Munro (The Spy Who Loved Me)
Details: www.QTheMusicShow.com/waterside


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Sun 6th May 18
New Victoria Hall, Woking
with Caroline Munro (The Spy Who Loved Me)
Details: www.QTheMusicShow.com/newvictoria