Travels with Charlie
Barry bought the rights and planned to act as composer/producer with segments to be directed by people like Kevin C. I seem to recall that Jim Wilson might have been a co-producer? Not sure! Barry publicised this quite a lot in the sweep of post-Dances popularity but (obviously) it never arrived.
The Jam
Barry bought the rights and planned to act as composer/producer.
2004
The Incredibles
Worked on this for some time but apparently the studio did not agree with his take. There seems to have been a misunderstanding as director Brad Bird hired him on the basis that he would write a score which was a pastiche of his James Bond scores. Barry had no intention of scoring it that way and even his trailer music was replaced by a real Bond theme - OHMSS! They could not agree and Barry left.
Composer: Michael Giacchino
2000
Thomas and the Magic Railroad
Barry was initially very enthusiastic about this (his son was a big fan of the stories) and wrote several songs with Don Black. However, he eventually decided the film was not going the way he had envisaged and left.
Composer: Hummie Mann
1999
Tom's Midnight Garden
Director Willard Carroll wanted Barry (him being a big fan), made one phone call just to check out availability but there was never any discussion beyond that.
Composer: Debbie Wiseman
1999
Goodbye Lover
Wrote and recorded full score. However, the film's writer, Ron Peer, who was delighted that John was the composer, believes he did not want to "lighten" his score in certain places as required by the director during the editing process. Hence John Ottman was brought in to write a replacement score. It's worth noting that actress Ellen DeGeneres claimed that test audiences reacted badly to the film originally ending with her character being killed, so she was called back to re-shoot the ending.
Composer: John Ottman
1999
The End Of The Affair
Wrote demo theme, presumably rejected. It's now a track on Eternal Echoes.
Composer: Michael Nyman
1998
The Horse Whisperer
Wrote and recorded several demo themes but disagreements with director Robert Redford led to him leaving the project. He did not compose and record a complete score, as has been suggested.
Composer: Thomas Newman
1998
Ever After
Wrote a theme as a demo, which was rejected.
Composer: George Fenton
1998
Seven Years in Tibet
Hhad conversations with director but never signed.
Composer: John Williams
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